YOUR MAGNANIMITY

Lord God

Your fallibility tool in the living

Is a great disservice to you

Yet magnanimity is one of your gracious parts

You sure are the only thumb

Without whom no rope can be tied

The I am that none is

Jehovah!


II

The crow of a cock in the day

Might be complaints but you deem it praise

The meekness of a sheep might be folly

But your graceful thoughts attaches obedience

The stubbornness of the goat is unquestionable

But your nature makes it a trace of determination

And so it is

That you wired us with all the traits there are

Giving us will to select


III

You’re not just an Alpha and Omega

You’re not just Omnipotent, Omniscient and Omnipresent

You’re not just Elshadai, Elohim and Adonai

You are an all perfect God

Who hides the sun under rain

Hides the moon in the dark

Hides rain in thirst

And food in hunger

Can I complete the testament of your grace?

You hide tears in laughter

Greatness in slavery

Strength in weakness

And oh life in death!

Immortal, Invisible, only president of sages!

I worship thee

Amoafowaa Sefa Cecilia ©September 17, 2017

​COMMON SENSE

The beginning of bad thoughts

Marked the end of harmless nakedness

That I know

II

The beginning of birth

Birthed the beginning of death

That too I know


III

The beginning of want

Dug the endlessness of need

Well, took a while to harvest that on the tree of thought


IV

Greed is sometimes a seed of need

Which felt thirst in the belly of hearts

And was boxed by hunger into anger in the loam of minds


V

What has turned puzzle

Wriggling its weight on my mind

Is what turns them snakes to bite themselves

Chewing some and hiding much under their land

Do they need the dawn of death

To see the handiwork of disaster

In their signature on themselves?

Chai! Common sense seems to hang on higher skies

To hearts in hurry for much

Amoafowaa Sefa Cecilia (c) September 13, 2017

​RIVERS IN SEAS

When rivers stood in their dreams

They forgot of days they acted as streams

And tasted filth, felt the sharp teeth of stones

And travelled miles in the lone

They, now in pride, bloat

As they on top of seas float

Blocking streams and rivers

Who in need of strength shiver in quivers

Forgetting tsunamis still have power

To on their happy fate tower

The future sure blinds

So we do need to mark our hinds

In this travel

Which in uncertainty wobble

Amoafowaa Sefa Cecilia © September 15, 2017

FOREIGN SOAPS KILLING LOCAL CONTENT

The fascination of Ghanaians in watching the Mexican, South Korean, and Indian soaps has gone from ridiculous to worry. It is laughable to see a country once colonised, in the process of development, and still bemoaning the loss of most of our cultural values sink so low, aided and abetted by the media which has decided to break instead of make up for our cultural loss. The movie industry is a very powerful tool in every country. It is the tool used to showcase a country’s culture, which include values, morals, language, fashion, beliefs,  beauty, to mention but few. Ghanaians however, have chosen other country’s culture over ours, stifling the Ghana Movie Industry. The Hong Kong Movie industry stands at a whooping US $1.65  billion, Nollywood Film Industry is worth US $ 3.5 billion. With Hollywood grossing over 10 billion dollars annually, and South Korea’s movie industry drawing many tourists to them, why must we graze our own down to nothing? 

In today’s Ghana, hardly will you get a television station showcasing only one of these soaps, some run as many as four at a time and during prime time too. It is a fact that most Ghanaians take in what is given and end up getting obsessed with it. So I am not surprised when children burn because their parents go on telenovela hunting. Try listening to names of some children born in this era to telenovela enthusiasts.

The Ghana I grew to know was a place where decency was revered. It was an abomination to see couples kissing in public, married or not, let alone wearing inappropriate clothes in the name of fashion.

Now what do we see? Not only do women copy what they see through these telenovelas exhibiting their follies in the name of love, they also inculcate into their minds the low morals carried by these soaps. Now ridiculous happenings like two sisters fighting over a man, a father and son killing each other because of a woman, people loving their roles as antagonists caring less about what society considers ill, rule. I believe the most dehumanizing aspect is that people sit, with very prominent people who serve as role models to discuss these soaps on national televisions. And oh the killer; some stations even translate into the local Akan language infusing our cities and locally made products into them in their bid for advertisement. Is this not brainwashing? I would not be surprised if a mexican city is shown to telenovela enthusiasts in an exam and the singular answer turns out to be “Accra”. What are we doing to our country? 

Why will a Ghanaian help another Ghanaian to see himself or herself in a white frame? The very frame whose major population considers us inferior? And oh sometimes, the hyperbolic language translations and the pronunciation errors  pollute students whose parents can’t control them because of the fact that the soaps are everywhere. 

I know the media is a huge factor and may not help out in stopping this menace seen as a money making venture for broadcasting corporations, but in putting a stop to this, the cost involved in watching these things online will make it decrease and with time, the generation polluted will fade out. 

I believe this is a national manipulation which fester on the needs of the lonely and fantasies of illiterates, semi illiterates and bored literates. I know some do have moral lessons but their way of living is different from our ways and this further deteriorates the erosion of our culture. Why do we still kick against homosexuality when we allow such movies on our national screens? Do we not know that homosexuality rule in Mexican soaps and sometimes South Korean ones? Some attitudes and way of life are picked from movies, a fact.

It takes a radical and brave hearted to put a stop to something that has already become the norm, but I believe if investors and the government come together to encourage movie makers to come up with series that will not be based on insults and horrific follies, and they come out like Shirley Frimpong Manson’s Adam’s Apples, and Kumawood’s “Kumasi Yonko”, Ghanaians will fully embrace and lift our flag higher on the international market. Loving everyone’s but ours is the worst form of slavery. A canker only the media can spearhead to move this nation forward.

Information on best movie makers culled from https://infotainworld.com/top-10-biggest-film-industries-world/

​GOD ON HIS THRONE

We are like trees
Problems are like our earth

Each can’t be

If the earth refuses entry

Roots are like our will

Meandering through sand

Around rocks

On worms and running rats

Hunting water and food


II

We know God is at post

His all seeing eyes watching his little garden

Knowing the roots making him proud

Knowing the rocks arresting some wills

Seeing some waters drowning some roots

Seeing some worms eating away some roots

Seeing some sands even killing some roots

Cheering on the strongest to the end

In his unseen throne

Amoafowaa Sefa Cecilia © September 11, 2017

​WORLD OF WAR (Crazy Stanzas)

I know not much

I am no Methuselah as such

But I do know whatever war touches

Does with chaos marches
II

Like monsters of the night, hurtful words hold no soothing balm

In their flight to the land of any mind

Like terrorists on their site, bullets have no hearts, hands or eyes

To root out revenge before landing on their targets

Like savages in hunger, swords have no allergies when feeding on human bodies

As obedient children in diligent works, arrows obey the hands which need their errand

Bombs know not their gods but work in their moments like tsunamis

Believe their chore for an enemy 

Will surely conceive naught but perfection

Know that moulded feuds lose their reasons with time

But feed fat on innocent lives

Lives whose souls begrudge without a cause

How long do hearts travel in beating

To force minds into scheming hatred,

Roasting plans of traps and

Cooking death formulas?
III

We are cotton strands in transient travels

Through the path of earth

We are stars who taste the palms of the sky

Once in a nightly travel

We are fireflies hopping on the arms of days into oblivion

We are but future memories

Waiting to be washed by dilutions

We are that which needs no complicated weavings

In apparels of mortality

We are minds which need to swim in seas of love

Until the mythical hands do hunt our breaths

Amoafowaa Sefa Cecilia ©September 8, 2017

​SCARED OF LONELINESS

There are many roots beneath a single tree

Yet it needs many others to break winds

There are many brooms running and breaking free

But their strength in numbers, all fear rescinds


II

Sometimes, even fecal worms, do space need

Sometimes, even water, do drops be

But a sea stands  more chance of waving at a shore

Than a drop of water


III

I need you

Like I need this breath in its running seconds

I need him

Like I need this body in every moment

I need her

Like I need this heart in its working beats

I need them

Like I need this earth in every  living sphere

I need us

As yam plants need their mounds


IV

In the garnishing of age

On this queer me

This memory needs no sage

To know that wrinkles are sensitive to loneliness

Amoafowaa Sefa Cecilia ©September 7, 2017

OBLIVION

One day

The mist of this pain will blur

As the reality of this living clears

Minds will think of me as a cloud

Which fell in a moment to give the thirsty rain

Not as a thirsty whose tears quenched the dryness in other throats

Under the drought of helplessness


II

One day

This running heartbeat will lose its mobility

The eyes which swam in an ocean of tears

Surrounded by oasis of fantasies

Built into a wall to deceive

Will receive its oblivion


III

One day

None will remember the sun baked tree grower

Murdered by lack of warmth

One whose oxygen harvest saw not its nostrils

Talk less of its food channel


IV

One day

Every little sand this feet tasted

Will clear from the tongues of its soles

Every blessed breath will be imprisoned in history

Keys to that prison thrown into the abyss of forgetfulness

Eventually flying into nonexistence


V

One day

These puzzled alphabets 

Will play hide and seek

With new minds whose souls live on future’s passion trees

Shadows of these fingers who birthed them

Would have fallen into its doomed darkness


VI

One day

Just one day

This given life will end with its strife

The best days will be but wrappers

On its boxed remains in fond minds

Sighs of relief will heave from begrudged hearts

Then I would reach the dock I seek

For now

Crawl on, ye tired soul

With all your heavy laden

Your veins belong not to you

But to skins and blood in covering

Amoafowaa Sefa Cecilia ©September 3, 2017

IN CELEBRATION OF EID

In celebration is the key

Of seeing you and I as we

And learning to in harmony be

Like a mighty flock of bees


II

In solemn prayers is the need

To all intimidatory sins, like bothering weeds, weed

Making sure all mouths feed

Giving respect to all living seeds


III

We are a living flock

With a mighty ticking clock

We can easily run amok

But we sure are grave stocks


IV

Let Allah!

Let Allah lead us far

Leaving his fights so our plans won’t mar

His punishments and lessons to all living bars

Amoafowaa Sefa Cecilia © September 1, 2017

MAYWEATHER

I see the money weather

Even after the taunting shower

That led to the punching rains

Which bloated your opponent’s treasured eye land

I must confess you tower

More like the Everest of fists

In this generation
II

Left fist like a power volcano

Right fist like a bomb slap

Speed in punches like a terror tsunami

You are the power behind all rings

In your mighty realm

Undefeated, you were made for the tops

Clearly so strong

You are like the fiercest of lions

None can compare to you in these times
III

A legend is he who listens to wise clowns

In all glories

Many lorries are packed with rolling eyes

Clearly seeing needless boasting in place of your thoughts of showmanship

Money is no being on a stretcher

The holes of wombs have brought many a men down

Booty shakers are no hungry children

Neither are they destitute who bring honour

To their saving angels

There is a reason chambers come after halls

You are a legend

A legend who must act legendary

Gloating is a goat’s coating
IV

You are worthy

You are wealthy

You are who you are 

But be the honourable you

As that is the clothes that suits legendary bodies

Many a black children run on hunger

Many a homeless being cry tears of desperation

Many ill bodies roll on stretchers in pain

Hoping to an angel gain

Salt praises not itself

Tongues sing its praises

A word to a wise head needs no repetitive ladder

Amoafowaa Sefa Cecilia © August 29, 2017

​CRY THE NATION

Many sicknesses walk 

On the body of my motherland

Causing it to walk naked on the global market

Every pore battles an unhealing sore

Sore of greed concreting each founding ailment

Why doctors are like its grim reapers

I am still sitting under the sky of reasoning

Trying to catch a raindrop of understanding

Which obviously pours into my mind with misunderstanding


II

Each throat can admit a morsel at a time

Each body is like its shadow in daylight

Waiting to disappear with the night of death

So why do we fume corruption

Knowing its chaotic eruptions?

Why do we seek to destroy a bridge which carries our weight

On the mouth of the dungeons of death?

Why do we seek to strip our own into bonkerhood

On a stage where civility sides ability?

Why do we sew clothes of shame

Which calls for pests to have us tamed

Right after seeing us maimed?


III

Jump from your fences

You wearing shorts of indifference

Throw down your differences

You with busy mouths propaganding nonsensicals,

Deafening ears 

Blinding eyes to the pain on the body of our nation

Wash your wicks of enlightenment

You heads with inks of knowledge

And lead like captains on battle grounds

Won’t you snap out of your power drunkenness

You possessed with fake thoughts of immortality

Emboldened by wealth


IV

We are ants creating foots

Too heavy to carry

We are now Frankenstein monsters

Building our murderers with glee

Amoafowaa Sefa Cecilia © August 28, 2017

​HAND DEY GO, HAND DEY CUM

Me I no know wetin man go give me

Wey I go be like im sick chick moder

Going to scatter to bring him choo to fill im bɛllɛ

When im hands dey lie in perfecsion

If I no heaa anyting for elder person im mouth koraa

Ino be hand dey go, hand dey cum


II

I go feel like goat wey no like im life

If im beatings no dey charge my legs

To run like  Ussein Bolt from im devil pitch

Ino bi same blood that cause Jesus to shout for helepu

Wey dey for my body?

My mama no bi mumu

Wey she no go feel her stomach tunder

If her eyes see man hand dey pound me like fufu

Chai! If I no know anytin for elder im teaching

No bi hand dey go, hand dey cum


III

My natural mortar no bi wood

Wey go scatter if im dry

Abeg, ino bi alumi

Wey go rusti, if I no shine

Wetin I want koraa, wey go make me your mumu

Com dey take your beating

Come dey take your shakara

Come dey take your shame

And come dey be your game for night?

Chai! Gyare, if I know see anytin koraa

I see say, as this my left hand dey go

The right hand dey cum


IV

I go be like lonely bottle

I go shake like one tree wey dey for wind inside

If all I go get be so so beating

And so so cheating

So so insulting

And so so shaming

God no dey judge person wey dey walka by imself

Bone go turn dust no matter how much

Dog cry for im hardness

All tongues go taste sand im mouth

When die die catches person

And wheder pɔɔɔ pii or apii tɔɔ

Die die go catch all

So why i go cry for bad man?

Yes, as this hand dey go

That hand must cum

Amoafowaa Sefa Cecilia (c) August 25, 2017

​SORROW OF THE LAND

Once upon a time

Our land was a loamy rhyme

Our airs sang for happy trees to chime

A bite was meant to tease tongues from lime

But all that, now, means no dime


II

When the cloth of colonialism

Met the scissors of independence

And freedom apparels were carefully tailored by hope

Little did we know greed will nurse itself in multiplications to feed

Leaving huge holes in our growing seeds

Holes in which many hovering pests shelter

To hunt the rest of our freedom juices

In a shadow slavery bid


III

How did general development melt into selfish aggrandizement?

How did sweat of paupers rain into barrels of the rich?

How did power fly from the masters to the servants?

How did truth metamorphose into lies

In a vice-versahood which gains applause on entertaining stages?

How did we get here?

We as children of embittered souls

Who fought their rage to get us a page!

How did we get here?


IV

How do we break this cycle 

Of the oracle of greed?

How do we cast out the possessions of corruption in ourselves?

How do we get back the sensitivity of hurt

To feel our punches on our own selves?

How do we?

How do we?


V

If only darkness will work with light on its ruling nights

If only responsibilities will whip consciences in all spheres

If only capable heads will work with their legs

To jump from indifferent fences

If only political promises will gain colour from their white elephantship

If only

If only you will see me as you

And I will see you as me

And we will see our land as our mother

If only

If only…

Amoafowaa Sefa Cecilia ©August 23, 2017

​WHEN WATERS RUN WILD

It is like the best servant of mankind
It is like the humble air holding our precious lives

It is like the great explorer and traveler

When it is given its due


II

Time has travelled to a place

Where many things imprison this saving servant

To think river channels lie in even mobile beings

Why will the earth’s water bodies face cages in their daily travels?

Even frogs vomit when their throats get soaked

So why won’t the cornered break free?

Why won’t the suffocating strike for breath?


III

Heaven knows it does no wrong

When its rebellion steals our dears

We have planted hell into a harvest

A harvest which takes from its mother sweat

From irresponsible dumping to unplanned buildings

From horrid policies to greedy land owners

Every building of dirt culminated into our loss

So why whine?


IV

Let’s cry for the scape goat of our flaws

Let’s weep for our attitudes which walk like heels on negative talking tiles

Let’s mourn our loss by draining our drains

Removing chains from the bounded paths of the thirst quencher

For a death that all conscience grips

Deserves all hands on deck for a reversal


V

A wound not well catered for 

Surely can’t hide from flies

Stagnant mud is sure to splash

Without a care as to the legs in its midst!

Kokorokoooooo!

A wake up call by the realization cock

Let the elders from indifferent slumbers wake!

Let the leaders, in corruption parties, shake!

Let citizens, all bad attitudes, rake!

To let nature cohabit with mankind

In a nest of respect

A nest, which will make our waters run our chores not our lives!

Amoafowaa Sefa Cecilia (c) August 19, 2017

HOPE INTACT

​There is an irony in sight 

Where vision is concerned

That part where the blind looks forward to tomorrow

Despite all the sorrow

That part of the mind which no one borrows

No matter how shallow

Is the lid of hope

So why will I mope?


II

Even snakes, dwelling on their venom

Instill fear in beings

Even crabs, without heads

Instill fear in elephants

Even mother hens, dwelling on beaks

Try to with hawks battle in protection of their young

Even a Christmas cock has hope in stock

So I feel no mockery

As suns shine even in their twelve hour life span

So will I shine instead of whine


III

A widow, according to biblical tales

Gave her soul in her little out

Without thinking forward

Why?

Breath is not mine to give nor take

But as long as it engines my being

I will see the ship of help

Sailing towards my dock

With goodies in flock

For in the tower of living

Hope holds firm

Amoafowaa Sefa Cecilia (c) August 17, 2017

BRAINWASHING

Alien things are swallowing ours

Their gluttony making them relegate their teeth to the background

As their tongues fold to push

Through the mortar of their mouths

Everything with an African tag


II

Civilization first removed our eyeballs

And replaced them with artificial ones

Making seers the abominations they abhorred

Banishing themselves through shrines they worshipped

Playful hands now play with their “poduas”


III

When buttocks started their servings in skimpiness

And breasts were given mouth charms in braziers of harm

Aided by sunshine of sheabutter

As mouths stood out clothed into nakedness by different colours

We saw hairs from under dream seas in artificial chase

And soon, eyelashes begged for glue to have their fill

After fingernails won their clawhood in the court of fashion


IV

Now we have lived to see

Humans behaving like snakes

Peeling their skins in broad daylight like knifes stripping yams white

When they are in no thought of roasting in the sun

As if that is not enough

Now morality has been called to an immoral court

Hailed by blinded owners

Whose loss weeps with stretched fingers

Calling on ancestors who went through so much to build them

We are lions turned cats

We are eagles turned fowls

We are skies turned ground

We have sold our birthright for sluggishness

Sluggishness which leads us to the cages of slavery

Amoafowaa Sefa Cecilia ©August 14, 2017

SHOW US YOU

The sounds of nature stamps your existence

Your bodiless presence calls for some insistence

Of evidence of your presence

Despite many testimonies of the taste of your essence


II

You are who you are

Though we know not when you were

But are dying to share

In your kingdom at any fare


III

We wish to with you dine

Even if we wear blindfold of wine

So we can be in line

Other than in this mood of pine


IV

Many hearts, like bombs detonate

With thoughts of your good resonating

Many hearts are plucked like fruits at a child’s reach

Their blood presented as your present


VI

Don’t whisper through the air

Stop rolling through seas

Stop shining through the sky

Stop supporting through the earth

Stop running through our veins

And touching through our hearts

Just show us you

And light our senses through your wisdom

To know you and your desires

Amoafowaa Sefa Cecilia © August 13, 2017

​THE HUMAN ANIMAL

I do not know

Who carved the show

I do not know 

Who gave that blow

That a girl was an animal

Not a tigress nor a lioness

Not an elephant nor an eagle

Not a dove nor of love

But a sheep which needed its herdsman

Or a hen needed to hatch or be gifted on occasion

How did I fall like a load on my mother’s head?


II

Trained to fit into a shadow

Trained to voicelessly like a donkey follow

Trained to worship the shallow

Becoming a chameleon to complement my sire

Was the scary blessing which cuffed my passions

As long as it had a tail 

It definitely covered its fail

Oh unfortunate me on that hurdled sail!


III

Fitting not into any shadow

I became the blow which non wanted to show

A blow which no ego wanted to note

A blow which all tails needed to kowtow

Defiance transformed me into a witch

A witch whose magic laid in her brighter head

A witch whose sword harmed chasing egos

A witch who only tails saw in their dark selves

And so the hunting started


IV

A girl acting like a boy

A girl looking like a boy

An abomination in this nation

Oh how mama prayed for hands of God’s help

Oh how she forced my knees to taste the grounds of my “gods”

Oh how my peers in shadows laughed at my convention of submission

A sheep turned goat

Being forced to turn sheep

Agya mmaa abrɛ!


V

 All the drama acted like a hammer

Hitting my pate as I acted the nail

Until flashes of the pain of history flashed

Through the blood of my pride

How my mothers grandmother’s great grandmothers stayed like mute clay

Carved to suit

Made to swallow all the hurt their makers cooked

And I tore out

Out of the clothes of suppression


VI

Eyeballs popped and sunk

Mouths trapped many flies

Noses opened their doors to dust

As the fear flew from me to them

I was the freed

One society warned against

One cursed to never succeed

Never knowing other shells were being broken

To let many shadows taste the light

The light of their fate caged in this sphere



VII

You ask me how it feels to be here? 

I feel like a tied kite freed by a godly fairy

I feel like a bɔɔla bird turned into a reasonable eagle

I feel like the weaver of life

One with powers I wish not to brag

A capable partner to my once upon a time herdsman

I feel many things in one

Most importantly

I feel FREEEEEEE!

Caring not about the debris that trails

Amoafowaa Sefa Cecilia (c) August 11, 2017

​LOVING NOW

I know many of us are everything but perfect
Sometimes assuming positions of trouble prefects

But life’s ink 

Has risen for all who sink

And it makes me think


II

I see all live in gardens of flowers

Bathed in many praising showers

But like dead wood in a king’s court

They feel not

So why grace a thing with goodies

When its essence begged in vain?


III

Some live like goats

Never bending in their revenge coats

How do they metamorphose into dogs

Guarding decaying clay even through fogs?

Why wait till after the rains to place a bucket?


IV

Close trees, they say scratch each other

Silly how human trees, in locomotive abuse

Explore further from their treasures

Suffocatingly searching for left pleasures

Until they go stale

Their perfumes poisonous even to inhale

Then cry rivers into seas

About their plight which they caused in flight


V

Backs box as necks turn with eyes of foxes

Until one falls from this life tree

Yearnings for a chest now at rest

Yearning to look into eyes forever shut

Yearnings of needful words stuck in lateness

Waters of regrets forever built like fountains

In their hearts

Why do we muddle clear waters 

Only to seek the pure?


VI

We are sheep with fake claws

Doves with fake eagle beaks

Why we get those even while our insides churn

Only our body electricians can tell

I would prefer the perfect vibes

While my nerves are at work

Amoafowaa Sefa Cecilia © August 11, 2017

​KƐTƐASESHƐ NE PRƆYƐ

The mind is a scary part

A part which houses and nurses all it is given

Be it in light of good

Or in doom of bad

No ripe orange on a flat ground

Falls far from its tree

And a rotten palm nut amidst the many

Carves vampire teeth on the others 

Even after battling fires 

To bite tongues in disgust

Hence our bitter taste on the tongue of life


II

Kojo Dzapkpasu’s little coins taken from the purses of parents

When eyes are lost in jurisdiction,

His parents awareness perceived as a little cotton in the wind

Storing laughter in silence

Is a seed being watered by days

Packing like a gift of bomb to detonate

Into the future 

Splashing shame and horrors

Even quenching the flames of happiness and love

It is a seed that shoots a plant

A plant or a little branch that becomes a tree


III

So the government is like a desert without an owner

And I am a farm hand without a supervisor

With no eye in sight

Why will I work like a bull?

Ha! A goat claims to be destroying the paint of many houses

Until its skin pops bald out of its encounters


IV

Ama Achaa has a whole hole flowing with waters of spring

I am a perfect fish thirsty for a swim

Ama needs me as a ladder to climb a hurdle

Without a swim, I won’t ever bend

Ha! Continue cheating the crab

Your rear is opened to the eyes of God no matter how  thick your clothes!


V

I am a trained protector

One with skills of lions and lionesses

With the authority of the state

I am the order of the road

The hands for a catch

The eyes for the safety of my land

Walk into my way without the stench of a token

And I will see you broken

Power takes what it needs

Even many from less authoritative fields get their due

Why shouldn’t I?

Ha! The law is a whipping rope with two ends

Pray for no day your victim will hold the other end!


VI

Amazing how big fishes sail through the net of the law

As small fishes, like mythically huge souls, get stuck in the same

Robbers kill few at once

But leading beings fondling public coffers

Kill millions in every turn

Yieee! Why do you aim for your intestines

And blame it on hunger?


VII

We are our own Satans

Building the worst hell in our living quarters!

We are our own roses 

Tilting our thorns into our skins!

We are our own flies 

Eating deep into our own sores!

We are the poisonous rain seeping through our perfect pores!

From mouths shut like doors of whores

Close to their pastors’ stores

To eyes whose visions are bought in wiping

From ears shut like a bankers safe

To skins which hide bruises to promote rot

We are all the tsunamis destroying our progress!

Amoafowaa Sefa Cecilia © August 8, 2017

KAWOLA? UBEISON!

​Everything atop seems supreme

Many pant to climb to mountain tops

And jubilate as winners in the end

Many eyes look up to the sky in reverence or solicitation

Even though legs mate the earth

So why do you sleep naked on this Ghanaian floor

Regarded as the pauper of the nation?


II

From Yaa Naa to Yagbon Wura

Bolga Naaba to Paga pio

Naayiri to all the sub chiefs

Wake ye wise heads! 

To wake your young out of the sleep of under-development

Inculcating into their will the power of the north

Powers which will act as catalyst to open wide their eyes

To spot opportunities in hurdles gargantuan

For you are the path clearers


III 

Oh warriors built in height and braveness!

Ye crafted with skills of the almighty!

Move from victimization of all kinds:

From witch camps to ingenious camps

From the Gbolu Defense Wall to building walls of togetherness

Remind yourselves of the pain of foreign reign

Through the Salaga Slave Market

And let that beautiful scar lead you to seek victory of more freedom

Freedom to love

Freedom to own

Freedom from war

Freedom from poverty

Freedom from attitudinal negativity

For you are blessed in nature


IV

You are blessed with nature fit for a kingdom

Look at the miraculous Laribanga with it’s mystic stone

Built by mythical hands and spiritual hearts

To serve as a perfect ladder to God!

The Mole National Park which is like the historical Garden of Eden!

Housing creatures big and small

From Elephants to warthogs to ants!

Need I mention the ponds which house the fiery but tame crocodiles

Who lead and protect you?


V

See the beauty of nature from the Wichau Hippo Sanctuary

And feel the landlordship of owning the Wa Airstrip

Oh the Tamale International Airport!

Ah! The Nandom and Navrongo Basilicas made like the cross of Jesus

Should I add the Tongo Hill?

I could go on and on and on


VI

You are beings blessed with crafty hands

See the Bolga Baskets

To beautiful leather sandals to the angelic craft and sounds of xylophones

Which pacify God and all ears

See the product from the blessed fingers of Sirigu Potters!


VII

Follow in the footsteps of former president John Mahama and Dr. Mahamoud Bawumia!

Tow the line of Dr. Isahaku Nashiru!

Inculcate into your hearts the pure heart of Dr. David Abdulai

Get the ambition of Alhassan Gbazanba

Get some wings of success like Alhassan Andani

Sing your way into hearts like Fancy Gadam and Sherifa Gunu

Work with your brain into a breakthrough like Siita the Investor

Giving you the magical box in the form of North Television

And join your wires of success to light up your realm

So you can move from unfortunate exemplary tags

Liberating your women into angels of success like Hikmat Baba Dua

For you are built to excel and have the capacity to do so!

Amoafowaa Sefa Cecilia ©August 8, 2017

GOD (CRAZY STANZAS)

​In the wake of this take

Make me windbreaks that will all hurdles absorb

Be like the unbreakable bubble surrounding me

Even as rains of drains seek all grains of sanes


II

Ahonu-abobirim!

As a mind which descended from the stairs of a sage

I lay my body before thy feet

Burn the evils in all the rooms of my pores

Boil the hatred in all the pain of my sores

Fry the bitterness in all the dents of my failures

Roast the memories of all the plans of my revenge

Infusing forgiveness where stubbornness dwells

For you are the mighty thumb

Without whom no knot can be untied



III

Ɔkatakyie!

I am like a new born in thy hands

I am like a hatched bird in your nest

Needing your all seeing eyes

Even in this whirlwind of confusion

When the way that leads to you

Is like an unsolvable puzzle


IV

Kasapreko!

Make my skin a tortoise shell

When the arrows of mythical chasers speed for me

Make my chest a magical crest

When unseen bullets fly my way

Wipe my footsteps in this battling sand

So I can lose the snakes which follow my legs’ rakes


V

Omintimirim!

 I have eyes without future light

Brace me for all that awaits

Make for me armours if a battlefield awaits

Make for me a conscience if a rosy field awaits

Most importantly, suck the fury out of my hurry

Planting patience in the soil of my heart


VI

Otwereduampong!

Fallibilities tie my abilities

Need rumbles in the stomach for my feed

Covetousness pulls in the perfection of my seed

As time tick tocks in reminding my fade

And death of all promises other births

In the midst of it all

I wait on my call to you

To mould me through a school perfect for rest

After this earthly explorations

Which cover the memory of transiency

Amoafowaa Sefa Cecilia © August 6, 2017

(All unknown words beginning succeeding stanzas are appellations of God in the Ghanaian Akan language)

HOW GHANA GAINED INDEPENDENCE BY NANA APAU

UGCC born August 4, 1947 – died February 8, 1951 –  the day that music died.
The so-called Danquah-Busia-Dombo (NLM/UP/PP/NPP) – DBD Tradition and its spokespeople like Paul Adom Otchere fail to take into account the mass factor in the nationalist movement in the history of Modern Ghana. The adherents of this DBD Tradition tend to present the rise of nationalism in Modern Ghana as the product of the machinations of the educated urban elite (ARPS, WANC, UGCC). 
A careful examination of the history of Modern Ghana from the colonial days reveals the single most important factor in the history of the growth and success of Ghanaian nationalism was the mass factor. It was only when the mass of the people moved that the colonial government became seriously concerned and willing to make concessions.
UGCC was formed on August 4, 1947. UGCC leadership invited Nkrumah to return from Britain to organize the UGCC as its secretary. The UGCC leadership were honorable businessmen and lawyers. They needed the youthful Nkrumah (monkey) to work for the UGCC leaders (the baboons) to chop.
Danquah was the legal adviser for the Ex-Servicemen Union. Both Nkrumah and Danquah addressed a rally of the Ex-Servicemen on February 20, 1948. When the Ex-Servicemen’s Union called a march to Christiansborg Castle, on February 28, 1948, both Danquah and Nkrumah were addressing a political meeting outside of Accra at Saltpond. 
About 2,000 marchers turned up, but police would not let them proceed. In the confusion, stones were thrown and the police opened fire, killing one ex-serviceman outright and wounding others (two later died). The distraught marchers ran to another section of Accra where people had gathered to conclude a month-long boycott of foreign merchants organized by Nii Kwabena Bonne III, a prominent merchant and UGCC leader. With emotions running high, the crowd turned to violence, looting and burning shops. Police opened fire. A crowd battered down the gate to Ussher Fort Prison in order to let prisoners escape. 
As the news spread, rioting broke out in Kumasi where it continued for two weeks. According to British figures, 29 people died and 237 were injured within a month. Nkrumah and Danquah seized the moment, issuing telegrams that argued the riots showed Britain could no longer effectively rule the country and proposed that the UGCC form an interim government to restore order. Several days later, trying to calm the crowds and channel their outrage into more productive political goals, the UGCC leaders addressed a 9,000-strong rally where Nkrumah urged that “people should fight with unity, not guns for independence.” Partly through the guidance of Nkrumah and other leaders, and partly through deeply held values, the future people’s movement for independence for the most part was able to avoid violence. 
However, on March 11, 1948, the governor ordered the arrest of six UGCC leaders, including Danquah, Nkrumah, and Nii Kwabena Bonne III. This quickly backfired, raising the popularity of the “Big Six” to national heights.

After being imprisoned with other leaders of the UGCC for supposedly inciting unrest among veterans, workers and farmers in the colony after February 28, 1948 massacre of peaceful petitioners, Nkrumah gained widespread popularity among the people, who responded enthusiastically to his militant and fiery approach to the burgeoning anti-imperialist movement. 
After forming the Committee on Youth Organization, which became the best organized segment of the UGCC, Nkrumah was later isolated from the top leadership of the Convention, who objected to his demands for immediate political independence for the Gold Coast. They were prepared to launch a mass struggle for the abolition of British colonial rule over the Gold Coast.
On June 12, 1949, Nkrumah and the CYO formed the Convention People’s Party (CPP) in Accra, Ghana, at a mass gathering of tens of thousands of people. Nkrumah mobilized the mass factor through the Committee on Youth Organization (CYO) to be the youth wing of the UGCC, but the UGCC leadership did not want to have anything to do with the youth (otherwise known as nkwankwaa, mberantee, asafo, verandah boys). 
The CPP called for a Positive Action Campaign in January 1950, leading to massive strikes and rebellion throughout the colony. The strikes quickly led to violence, and Nkrumah and other CPP leaders were arrested on 22 January, 1950, and the Evening News was banned. Nkrumah was sentenced to a total of three years in prison for sedition, and he was incarcerated with common criminals in Accra’s Fort James.
In the February 1951 legislative election, the first general election to be held under universal franchise in colonial Africa, the CPP was elected in a landslide. The CPP secured 34 of the 38 seats contested on a party basis (with Nkrumah gaining 22,780 of the 23,122 votes in Accra Central constituency). 
The UGCC won three seats (so much for the so-called “founding fathers”), and one was taken by an independent. That was the death knell of the UGCC. UGCC metamorphosed into the Ghana Congress Party for the 1954 national elections and fared no better. That was the day the UGCC music died – February 8, 1951. The UGCC died from REJECTION BY THE PEOPLE.

​YOUR OWN BI YOUR OWN

Birds know they own their nests

And love the inn eventhough they know the existence of hunters

Bats love their standing trees in the midsts of tree cutters

Worms mate the earth in style

Even in places pickaxes dig

Why won’t our elders say

None uses his left hand to point at his father’s house?

Your own bi your own

Even fecal animals love their grounds


II

Your painting models your house

Your posture determines your win on a battlefield

By your mouth’s words, things can see the be

Even in rare miraculous realms

None uses his left hand to point at his father’s house

Your own bi your own

Even fecal animals love their grounds


III

Legs fit their perfect shoes

Bigger ones will show

Smaller ones won’t fit

Heads with wisdom need few words

To cook a perfect meaning

None uses his left hand to point at his father’s house

Your own bi your own

Even fecal animals love their grounds

Amoafowaa Sefa Cecilia (c) August 3, 2017

​LOOMING DOOM

This chest feels so stuffy
Threatening tears which would drown these eyes puffy

Giving an uncomfortable holiday to the mind

Making this bed frown at the night load

Which fails to heed to the call of mobility


II

Cloud of our end looms

As a frightening beginning, in fast speed, zooms

Whips of pain of loss is in the blooms

As your back’s dust zooms

Even your thoughts, like models, parade in all rooms

What is this shattering heart to do?


III

Like a shattered mirror

A piece sees the beauty of our tearing bond

Other pieces cry in hold of the threads of hope

Which play hide and seek with shaking fingers

A little piece knows this “we” was never a good “be”

Yet this hellish heart burns itself with sadness


IV

Who made a heart a bluetooth

Which connects souls and creates holes

When breakages occur?

Who is the architect of a being that

Merges hearts into one in two bodies

Leaving them bruised into halves when separation visits?

I am a torn love leaf being roasted on fires of deception

Oh which balm heals from within?

Amoafowaa Sefa Cecilia (c) August 1, 2017

​STRAY HANDS

I know the throat can nag

And force a king to lie on a rag

When its demands for water through its pipe is not met


II

I know the stomach can thunder

When its bond with food is put asunder

Giving in to any bet


III

I know eyes close not

When their vessels are tied in a weakened knot

As the body, like a drug addict, frets


IV

I know every pore feels its sweat

And every soul in a body is a set

That is why hands take all they can get


V

But this is not it

We are children of warriors who oneness fitted

And through the axe of togetherness slit 

The throat of oppression

To give us this free mansion of supremacy

We are a set known in the Ubuntu

So why do some hands stray

To dupe themselves of the crown of development

Befitting our precious heads?

Amoafowaa Sefa Cecilia © August 2, 2017

​BE LIKE THE SKY

The sky has many eyes
Because of its strength

Its face is like a park without an owner

But it still remains firm
II

There are passing clouds

Which never succeed in wiping its beautiful blue

There are heated suns

Which never get to melt its clarity

There are the moons backed by stars

Which never get to blind its base

And there are thunders

Which never get to break its frame
III

There are days the sun battles the moon

On its face

But it stands on duty unscathed

Although darkness forces it into its cage each evening

It stays perfectly at post like a faithful soldier in the morning

Be

Be like the sky

Amoafowaa Sefa Cecilia ©August 1, 2017

​TO THE GAY IN THIS RAY

None chastises those who time has dealt a blow

As that like dead roots, will be low

None blames the Frankenstein monster

For attacking its master

For that, like a pie in dust, will be disaster

Oh deviants of the norm!

As the slave of “knowledge prostitution”

I say “due”


II

When the world was born

Human increment was sworn

When the world was naive

Food had its channel to itself

Who defiled the virgin time

And made it a shameless whore in our present?

Who broke into the yoke of normalcy

And redirected pestles to break through mortars’ backs?


III

We are all to blame

Enjoying the comfort in all that is lame

Refusing to look at growth’s monster 

Let alone find channels to tame

Why won’t same minds electrify passions?

We are all to blame

For loving the vehicle of modernity

I say “due o due”!


IV

Let nails turn claws!

They are angelic not flaws

Let hairs turn long!

They are beauty treats not demonic

Let our young act bold and strong!

For respect’s vice of meekness is a flaw

Let all in shadows out!

Every soul must build its ark

Let all passions flow!

For every being has a thing to show

Every acceptance acted scissors and blades

To tear into space of the nature’s taboos

You are part of our reward

We are all to blame

“Due o due!”


V

As wombs stir themselves

And life givers dig rear gutters

As manly gaits rehearse the feminine

And the frail acts so tough

Every finger should point to the one in their mirror

As our every need brought this breed

Amoafowaa Sefa Cecilia ©31st July, 2017

SOCIAMEDIALISM

A new whirlwind blows

And its dust shows

Not a soul knows

That it is a blessed wrap housing many foes

But I see its claws through its wings
II

It is like the god of love’s enemy

Unleashing on its host its fiery army

Sucking fun from blood to blood dealing

Making robotics the better feeling

More like a crown on the feet of a king
III

Minds meant for nation building now sit

Granting power of mouth to fingers in an apt fit

Hiding  behind shadows of images of succulent lasses

To act shameful “takers” from minds whose switches have gone to sleep

Putting clothes of shame on our motherland

Still, none seems to notice
IV

Never knew of “vapendism” 

Until their blend and escapades splashed on the new god

Which shows all the red meat in different bowls of colours

And the many colourful ladles

Which stir in different styles 

Throwing goosebumps of new need on bodies of the innocent

Making parents shiver at the thought of their wards audienceship

Chai! How no one sees beats me!
V

Gone are days when humanity nudged

When troubles sat on another’s pate

Gone are days when ears heard cries for help

Now all the cries have turned calls of video setting

For the fame of self made journalists

Who want to break news on the new god

Ha! This is interesting
VI

Isn’t it easy for secrets to now walk around

And place their bosses on centre stages?

Isn’t it easy to get to shoot rumours through armours of great men?

Isn’t the world going blind by the many artificial shinny stars

With no root but walking in talking boots?

Now we get to hug, kiss, smile show love in techniques

While reality weeps for keeps

What a wind!

Drawing us closer and apart all at once

Amoafowaa Sefa Cecilia (c) July 29, 2017

​THE WOMAN IN ME

Some say I am a flower
A flower with mining nectar

A flower which tower

When the sun sits on its shining stool

And wilts when the sun sets

Hey! I am what I say I am!
II

Some say I am many in one

Hair like an oasis which holds current’s pores

Eyes like doors

Mouth like a toffee

Cheeks like mirror which show horrors or hearts

Breast like switches

Legs like paddles

All leading to a perfect plug

Ha! The world of mind decorations!

I am what I say I am!
III

Some say I am a toy

Which loves to act coy

But dress to follow

Pressed to sound

Sing to entertain

Dance to wake some trees

Limp on some middle grounds

But I am what I say I am!
IV

I am fire

Working hard to boil my way to safety

Overstep your space

And burning crowns your folly

I am rain

Falling to feed thirst

You sure can do your laundry after all your cooking

But block me and see the drowning crown

Mind you, I come down when I want to

I am the air of the world

Indulging breath

Serving humanity like a slave

Press my wrong buttons and I leave you clay

Clay which blends in decay!

I am what I know I am!
V

What will the world be without me?

Where will you be without me?

Where will you be without me?

Look into your shadows before making me your robotics

For I am who I say I am

Not your fantasmic animation

Amoafowaa Sefa Cecilia (c) July 28, 2017

​HUMAN POWER

We are what we need to be
When needs to be, be

We are who we need to see

When needs to see, see

We are our lions and lionesses

Hunting this jungle in shadows definitive of us

We are soldier ants 

Making our own frames walking anthills

Creating holes which send invitations

To passers by, wanderers and pursuers
II

We are why we run

When needs to run, run

We are where we plan

When needs to plan, plan

We are chickens on the ground

But peacocks on mounds made by ground-hands

And we order, in roaring, porcupines

To fire arrows into ladders

Which aided our climb

Why?
III

We are those openers

When needs to open, open

We are the leading voices

When needs to listen, listen

We are antelopes in our beautiful haven

But struggle to be rats in far caves

Smoked and chased 

Caught and skinned

In our own audience divided in agreement

Then again why?
IV

We are the reason we reason

When reasons to reason, reason

We are the sky we need

When needs for clouds and suns dawn

We are our own thunders

Shaking our very foundations in alien call

Pushing over our buckets to wheel mud into our waters

How can the nation chew fingers whose veins connect to its heart?
V

Ever seen the beautiful clamouring for monstrous masks?

Ever seen a well wishing to be a sewage tank?

Ever seen the virgin in youth

Hoping to be a raped dumped on the desert of old?

Maybe we are sleepy angels in horrid fantasies

In a heaven penned to trap

Hoping for the author to lead

Not caring where the lead ends

We listen to the birds chirp

The dogs bark

The cats meow

The crickets cry

But we hear not the crows of cocks

Amoafowaa Sefa Cecilia (c) July 28, 2017

LIFE IN ISEYIN WITH ROYALTY

Arriving at Iseyin  in Oyo State for the Ebedi International Writers Residency was pure bliss. The house was located in a very convenient place. It had a quiet ambience with trees blooming with abundant fruits.

Although power supply was nothing that could be compared to my home country, the administration provided a good standby generator for our use. The most intriguing aspect being the attention we received from the king of Iseyin: Oba Dr. Abdul Ganiyu Adekunle Salaudeen, made us feel like royalty. His cool lifestyle, beautiful wives and the reverence he receives from his subjects made us feel the importance of royalty to the people of Iseyin. Gloria from Kenya was particularly surprised at the whole royalty existence because it was not something practicable in her country. Of course we wrote to our heart’s satisfaction and Alhaji Bello, who happens to be the confidante and friend of the Aseyin of Iseyin |(also a university lecturer), as the king was called, took us around to ward of boredom.

On my last day at Iseyin (had to leave earlier because of some issues at work), while visiting the Oba to bid him farewell, I couldn’t help but ask about how he is able to make all his wives (rumours had it they were seven, he told us they were five) feel loved. He then told us a story of a man who had many wives. According to him, the wives fought because they were competing for who was the king’s favourite. They all called their husband to answer the question by choosing his favourite. The man asked for some time. While bidding time, the wives visited him one after the other in their bid to impress him. He assured them of his love and gave each of the ten thousand naira, imploring them not to mention it to their rivals. All the women agreed. When the time came for his answer, he called all of them together and said his favourite is the one he gave the ten thousand naira to. So the matter died down.

I must say I enjoyed my short stay at Iseyin, meeting most of the important people in a dinner organised by the residency’s administration, from Kofi, the manager, to Bode and the man in charge of it all, Dr. Okediran. My only problem was the fact that I could not get used to their palm oil. I realised Ghanaian palm oil, zomi, was not sold there, theirs had a distinct scent that I could not get used to and so got teased all the time. But it was worth it. Below are some of the pictures.

 

​WHY?

Your sword was glowing pink
And you loved to slash with powerful ink

I was your link

To the seas of your power’s brink

Oh Yohanne! Why did your boat so sink?
II

I used to, like an uncorrupted child, think

That you were the perfect drink

In that many an ambitious waters of zinc

Always loving your perfect wink

Oh Yohanne! Why did your boat so sink?
III

Now you are one with the pestle

Pounding that which you nestle

Helping those who in your dark wrestle

What is this stool

Which made you such a fallen tool?

Oh Yohanne! Why did you turn into a power bull?
IV

Look at the shadows which drool

Looking into you with teeth at attention so cool

Singing curses in mime to make you a fool

To push you into a deadly pool

Too bad you are on a blindfolding stool

Oh Yohanne! How high is your wisdom school?
V

I know time will make you feel the box

Of the hand which hide as hunting fox

And you will get the pox

Of the minds which act as your dove

As you stand in the light above

Oh Yohanne! Do you really feel some love?

Amoafowaa Sefa Cecilia July 26, 2017.

​ROMANTIC GIGGLES

Screaming pores are appalled

By the disco light-like mounds

Which tickle in pinch mode

Dancing to the whispers of air

See the feet of seduction touch the skin of need

The sky, today, is not fair


II

Peacocks hide themselves in their wings

Shedding fowl tears of yearning

Afraid to be caught by nightingales

Eagles have descended from their high stools

Into caves where lionesses beg for the touch of lions

Praying hyenas drive further away

On their amorous flirty trains

Tender bodies stooge for the whips of painful canes

Well, isn’t this queer?


III
I have seen this day

Where the earth mates big trees

Until their firm and big rears unplug from its sockets

Who thought this day would come?

See owls grovelling in daylight 

In search of pairs to heat their needs?

I see a dog working bedmatically with a goat

Strange airs in muffled pairs


IV

Never knew rains could fill the mouths of drains

Driving them insane into spitting to slap the innocent

Never thought beds could complain

See them break through creeks into loud speakers

Pleading for calm from their turning loads 

Mischief giggles and tickles with furs


V

I now know the reason Adam’s Eve was built

I now see the season which gave reason

For living pairs

Many spirits hover in wait of womb openings

They are sure to get rooms today

Although many would be ejected as soon as they land

Lucky ones would see the light in nine moons

Still, strange is the test of the sky

Which serenades with thunder and lightning-fireworks

To lure innocent bodies into thoughtless passions

Amoafowaa Sefa Cecilia (c) July 25, 2017

​SOUNDS OF CHILDREN

Little children go to school
To learn to use the pen as tool

Guns and knives are not so cool

In the careless hands of fools


II

When they count from one to ten

They get the happy sound of a pen

Which leads them from fools’ den

Into the high wise stools of men

Amoafowaa Sefa Cecilia (c) July 25, 2017

​THIS BATTLING SEA

Many voices
Roar in this fiery sea

Voices of rivers 

Whose feet have tasted different sands

Voices of rains 

Whose bodies have tasted higher heavens

Bodies of fluids

Whose noses have smelt rotten foods

Vomited by covered human gutters

Bodies of sweats 

Which have explored varied pores

Each lamenting like lost pilgrims

In the end a blend in chorus

Disturbing or angelic, they live as one

Amoafowaa Sefa Cecilia © 24/07/2017

​MURDEROUS DRUMS

Fetch the myth that struck the bamboo
And woke the sounds of chaos

At a time when sleep is most sweetest

In the royal palace

“Ama Mpapahene ne fontonfrom retwe kora

Wɔ nananom nsamanfo ahenkrom!”
II

Arrest the mice whose blood lured the teeth of vampires

To our Bragoro festival

And dug out rich “amoasene”

Rained on by brand new wombs

To the horror of fleeing warriors

“Kon-kon-kon ne kan-kan-kan de abɔ ani

Wɔ nananom nsamanfo dabrɛ oo”
III

Get the hands who married hay to a lighted match

And made the hot sun their witness

Housing them close to the country of barns

After a tiresome harvest

“Wɔn de asemkese adane abaa

Rebɔ animguase dondo wɔ amanaman agua so”
IV

Now silent but defeaning sounds

Gobble the sounds of royalty

Unplugging the veins of ears from all perfect beings

Turning wise men into unsuccessful mouth readers

In a kingdom of sages

“Animguase a asheshɛ Ghanafo ntaade

Ɛresa ‘afrɛfrɛ’ asa wɔ amansan awukugua so

Ah agya Anansesɛm abrɛ agu!”
V

The mouth whose words

Led the lost little soul in the dark 

Into the den of evil spirits

When rain mated clay

Shall surely get the  dreaded visit

Too bad, its neighbours would welcome the feared feet

As salt diggers welcome heavy rains on a sunny day

“Nkwasiasɛm a ɛso Asantifo nkutokwee”
VI

For now, beehives have been invaded

The thief soiling each home with the stolen honey

What can one do but attempt a cleaning?

Let breasts wake to make their milk sumptuous

And hard chests stand to teach threaded paths

To prevent toddlers from bee hunting

Who can piece together spilled milk?

Amoafowaa Sefa Cecilia ©July 22, 2017

Photo Credit: Google pics

​A NEW OPENING


As hands of dawn open the rest cage

Do consider this queer adage

That hands won’t feed if there be no work

And like the wisest version of Ananse

Build us into a harvesting web


II

We are hens

In worldly dens

We are cocks

Between some rocks

We are comfortable tourists

Who are blessed with blindfolds

So do build us into a comfort web


III

As a mother feeds her young

Let every rock

Bring us stock

Let every gravel

Help us more unravel

Let every deed of a dove

Bring us more love

As we roam like fowls

Into the coop of another darkness

Amoafowaa Sega Cecilia (c) July 21, 2017

Photo Credit: Google pics

Barcamp 2017, Tamale

Barcamp Tamale 2017 is a free networking forum bringing people together for a day of learning, sharing, networking and dialogue on Tamale, Ghana and beyond. It will take place on July 29, 2017 at the  Tamale Sports Stadium. The theme for this year is “Empowering the Youth through Innovation and Professionalism”. About the theme, the lead coordinator for Barcamp Tamale, Nashiru Muntasir, said “This year’s theme seeks to foster innovation and professionalism among the youth.”.

The GhanaThink Foundation has successfully organized 72 Barcamps in Ghana as part of its Barcamp Ghana program since 2008. BarCamp Tamale 2017 will be a showcase of leaders, entrepreneurs and innovators in the Northern Region. Discussions will center on empowering the youth for better development across all sectors. It will be an event for many people who live and are interested in Tamale to learn, share and network. Ato Ulzen-Appiah, the director of GhanaThink Foundation, said “So many young people here have been empowered through Barcamp Tamale, and this is the 7th edition. We’re excited about its continued impact”.
The Barcamp will feature multiple user-generated breakout sessions about business, social entrepreneurship, technology and development, alongside topics relevant to the Northern Region and beyond. There will be a speed mentoring session where mentors will give insights and answers to questions from attendees. Confirmed resource personnel include Alima Bawa of CowTribe, Sachibu Mohammed of Green Eaf and many more experienced mentors. 
Register/RSVP at the BarCamp Tamale eventbrite website (barcamptamale17.eventbrite.com) or text “Barcamp Tamale [name] [email address] to 1945 through any mobile network. Contact the team at barcamp at ghanathink.org about any partnership opportunities or enquiries. Barcamp Tamale 2017 is supported by Tigo Ghana and  Coca Cola Ghana Ltd. Our media partner is StarX TV and Zaa Radio in Tamale. Join us to move the Northern Region and Ghana forward.
Stay tuned via our #bctamale hashtag.

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​STRENGTH FOR THRONES

Let the ancestors listen!
Listen from their working places

Let them listen!

Listen in their working gears

Is this the vision for which they drained their precious body rivers?

Is this the picture they offered their bodies

To the human abattoirs like cheap goods for?

Is it?

Is it!
II

Ants are now known as crawling insects

Their needed minds being grinded by wrestling feet 

Of elephants and cows

Hyenas and baboons

Tigers and lions

Porcupines and pythons

And oh, existing ant holes are being blocked by lost and fleeing sands

Is this the future you envisaged?
III

Did you visualize your “mmeri ntamah” turn ovened suits calling for carcass freezers?

Freezers which drain the daylight out of night?

Did you envisage your ahenema turn talking walkers?

Your tongues cut and replaced by that of some contaminated dead?

Did you per chance wish for a tired table for your enemies

As your children wait for the crumbs of their sweat?
IV

You must speak from beyond Nananom!

Did you pray for prayers?

Prayers which would turn thunders and lightening into our stooges?

Stooges which would travel miles to provide all that we call?

Did you?

Did you?
V

What at all did your blood preach?

A battle for thrones like dogs who have run amok

Where the winner takes all?

Can’t you see your Frankenstein Monsters go beserk?

Can’t you see?

Do you really not see?
V

Bow your shamed heads from beyond

For like losers on the lose, you live unseen

Your crowns of nobility have long fallen

Your regal rings are now handcuffs

And your fiery spirits live as haunting ghosts

Need I say more?

No, not befitting of your respect customs

So I lock the gates housing this tongue

Amoafowaa Sefa Cecilia (c) July 19, 2017

​IRONY OF ODDS

A dove has been bathed into a vulture
A sheep transformed into a goat

A wall gecko now lives like a cobra

Which waters clean the clean into dirt?
II

A lion is now a cat

A tiger living as the dog of a crab

That eagle is now a “borla” bird

Which airs travel in exhaling

To change destinies like diapers of a running infant?
III

Odomankoma’s eyes must be floating  on seas with pinching salt

Boiling by the fury of rage

As spirits with divergent hearts fight

On the battlefield for souls on soles

As he watches his flawless creations

Turn monsters in mythical mirrors

Yet stay like untainted dolls in his daylight vision
IV

Amazing how innocent baby teeth

Turned carnivorous, love the taste of flesh

Flesh which houses their very selves

Hadn’t heard demonic laughter harvesting standing ovations

Until the veil of innocence tasted claws of enlightened machetes

Amoafowaa Sefa Cecilia (c) July 19, 2017

​5 REASONS WHY YOU SHOULDN’T WATCH KOBINA ANSAH’S TRIBELESS!


From the days of his seasonal stage play, This Family Is Not For Sale, playwright and producer, Kobina Ansah, has flaunted his brilliance when it comes to having good, quality fun on stage. His unique style of writing has carved a niche for him in the theatre industry. No two ways about that. 

However, his new brainchild, Tribeless, showing this September at the Efua Sutherland Drama Studio on University of Ghana campus may not be one stage play you may really want to see. You may have been wowed by his I Want To Sue God! but trust me, this may not be one of his usual side-splitting pieces.

Call me a hater but I would not mince words especially when I would have to call a spade what it is. You really want to know why you shouldn’t watch Tribeless? This is it!

FIREWORKS!

One word to describe Tribeless? Fireworks! This electrifying stage play is going to hold theatre lovers spellbound for two good (2) hours. If you’ve seen a Kobina Ansah play before, being held at the edge of your seat for that long is no news but Tribeless is just something else! The streetism-themed musical will use contemporary forms of rap, dance, music and drama to tell the story of four (4) street friends with a dream.   

INFECTIOUSLY HUMOROUS

Good humor is one thing to expect at every play written and directed by Kobina Ansah. The My Wife In Law writer has a cunning way of brewing humor with his characters and this play is no different. Want to have good fun? Tribeless is highly recommended!

HIGHLY MOTIVATIONAL

If you’ve followed the writer for a while, one thing that comes easily to him is motivation and inspiration. Tribeless is a motivational play that will inspire one to hold on to their dreams despite what happens. 

VERY CREATIVE!

Kobina Ansah plays on some contemporary songs in his banger, Tribeless. He remixes Davido’s “If”, Runtown’s “Mad Over You” and even Rihanna’s “Diamonds”. Yes! The wow moment is when he laces these with rap to convey his message. This is what every youth can indeed relate with!  

MOVING!

There are going to be twists and turns the audience is going to love; from the romance to the heartbreaks and even the victories. This energetic four-cast musical is not a comedy but you can’t stop laughing. It’s not a romantic story but you can’t stop loving. It’s Tribeless!

You know why you shouldn’t watch it? It’s contagious! You may never want to stop watching! Well, I have booked my seat in advance this September 23rd and 24th, 2017 at the Drama Studio. Let’s have a date there. First show is 5pm. Second show is 8pm.

Source: Scribe News 

​WHEN LOVE’S WHIRLWIND SWEEPS

When love’s whirlwind sweeps
It moves fearlessly like a monster looking for keeps

Pressing hearts into one until it, one sound, beeps

II

When love’s whirlwind arrests

Every sour taste blends into milk like a newborns’ from breasts

Making unfathomable ills honoured crests
III

When love’s whirlwind stamps

Its desired sounds beat no ear-blasting amp’s

Even stinky hovels become exploring camps
IV

But when it slaps

Even Satan’s right hand claps

Applauding the athletes caught in their hearts’ traps

Amoafowaa Sefa Cecilia (c) July 18, 2017

​SWORD OF THE MOUTH

Long ago

In a happy hollow cave

Peace reigned

Except for the claps of teeth

And the darkness in residence

No toe of chaos ever touched its dust

Until a soft meat-like towel became resident


II

Its presence provided inmates

With a turning toy

Introduced them to fragile bodies and blood

And brought angelic sounds where stone clapping existed

But it introduced another scare


III

Meaning

Meaning in calls

Made it a stall for ears

Some sounds brought laughter

Others brought tears

Some sounds brought chaos

As inmates wondered where in the boneless skin

Hid it’s powerful blade

And wondered how it made them accomplices


IV

Though blameless, they endured

Until it got entangled in other attractions

Like magnetic poles in assemblage

Repelling those without its factor

Beings rose against beings

Houses against houses

Villages against villages

Cities against cities

Nations against nations

And continents against continents


V

Inmates were like electric poles 

Struck by lightning

Their wondering turned into shock

Their shock turned into mock submission

Their mock submission turning into chaos

Chaos within and without


VI

None saw how it came about

None knew how to eject it

None was sure how to live without it

But all got to know in record time

That it sure is the harmless harmful

Which hid the murderous sword of all time

Protected by arranged stones 

In the hollow cave called mouth

Only protection mechanism:

Handcuffing it between locked lips

Amoafowaa Sefa Cecilia (c) 2017

​WHERE ONLY MOUTHS WORK

There is a reason hands hung

Legs stand

Eyes see

Ears hear

And mouths talk

But in my home 

Mouths walk in talk

And swing in fling

Closing ears like clashing bombs

Forcing eyes to shut in disgust


II

Little things turn typhoons

Then tsunamis

Covering bigger fishes to sail beneath national seas

As small ones turn dishes on influential wishes

Multiplying the earthquake of development

Still hands hung

Eyes watch or close

Legs are rooted like static robots

As mouths stand in boxing rings

In competitions of no winners


III

As baby teeth dream of the future fights

And matured teeth drum their mouths

Into greying heads

What is change to do but sigh?

As generations of mouths

Graduate from talks with no walks

Where lies the future of a debating history?

Where lies the pots of progress

When hands remain clean as mouths knead fantasizing moulds?

I am but a little mouth 

Flowing from my fingers’ ink

An ink flying spittle may erase

In this mouth cage

Still, what is this realm to do?

Amoafowaa Sefa Cecilia (c) 2017